Stalker (сталкер) – 1979

 

I’d fallen asleep on the sofa in front the TV one Friday night (years ago) and awoke on Saturday morning to this mysteriously surreal little Russian gem, a dreamy, thought provoking tale guaranteed to drum up a few intelligent discussions about man’s quest for knowledge and his insatiable hunger for the unknown.  Directed by legendary filmmaker Andrei Tarkovski and adapted from the novel Roadside Picnic, it deftly explores the depth of human want and need and desire, and trails the journey of a Stalker (a hired guide) and the two men who call upon his expertise to lead them into the gritty bowels of “The Zone”.  It is there that they intend to enter the fabled room within the ruins of The Zone that enables any wish to come true. The journey is not without its trials though.  To gain entry into The Zone (a deserted city that fell victim to a mysterious incident), they must first bypass a thickly guarded military checkpoint; but the true challenge is navigating the desolation of The Zone itself, an entirely barren, ever changing landscape full of unseen and unbeknownst dangers that have tested the will, searched the souls, and claimed the lives of countless Stalkers and wish seekers.

A beautifully minimalist film, shot in unfortunately toxic, abandoned Russian industrial locations, is said to have contributed to the early cancerous deaths of several cast and crew, including the director Tarkovski.  But the often several minutes long takes, the haunting landscapes, the telling score, and the philosophically rich dialogue combine for a journey that will not soon be forgotten.

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