In an era dominated by testosterone, big muscles, bigger guns, and the ever present and ultra macho Alpha Male phenomenon, the idea of a female lead in an action role was not just uncommon, but was largely unheard of. Guys like Stallone, Schwarzenegger, Bruce Willis, and Van Damme ruled the box office with their manly mix of tough cop roles, cheesy one liners, and improbable shoot outs; for a female to suit up into a stereotypical male lead ‘hero’ role, in that era, was remarkable. Ellen Ripley, the Warrant Officer on the Nostromo (effectively played by Sigourney Weaver) in the original 1979 film, was a true bad ass.
Everything about Ripley was atypical for a hero lead; she wasn’t bulging with pecs and biceps, she wasn’t trained in any sort of martial art, there were no Matrix style slow mo flip kicks, she didn’t dish out one liners like candy, and she obviously wasn’t a dude.
She did, however, possess an uncommon resilience in the face of unthinkable carnage (standing toe to toe with a dinosaur sized mother alien was pretty damned awesome), and courage that rivaled any character that Stallone or Arnold ever played. Her secret weapon? Her intellect. She outsmarted her alien rivals with true cunning. Who knows, Ripley vs. Rambo may have been a decent duel. At any rate, Sigourney Weaver made that role her own (a role that was originally written for a man); she beat the shit out of gnarly aliens across space and time, and in my eyes, is one bad ass Legendary Hero for doing it.
Here’s a little melody for the Monday. Enjoy.
Memories, from Lion.
Here’s a little melody for the Monday. Enjoy.
Memento, from Memento.
Just a little melody for the Monday. Enjoy.
Guys Like Us, from Of Mice and Men.
Period films are often challenging ordeals. Many factors come into play when transferring a fact based story to the big screen, from costumes, to historical accuracy, to the ever-present “will anyone pay to watch this” dilemma. The American Civil War stands among the pivotal moments in our nation’s history, so it stands as no surprise that there have been a plethora of flicks based on that time period made over the years, from the infamous Birth of a Nation in 1915, the legendary Gone with the Wind, and 2003’s Gods and Generals.
It was 1989 when a powerful gem named Glory was released into theaters, chronicling the formation of the 54th Massachusetts Volunteer Infantry, an all black regiment mustered in 1863. Directed by Edward Zwick, the movie featured some serious star power in Denzel Washington, Matthew Broderick, Morgan Freeman, Andre Braugher, Cary Elwes, and a host of recognizable faces. Incorporating a triumphant score by James Horner, the film succeeds in painting a multi-layered picture of the trials and hurdles that had to be overcome by black and white troops in the Union Army following the Emancipation Proclamation passed into law by President Lincoln.
The film carefully creates a vivid portrait of the main characters, with the simmering tensions of the war serving as a commanding backdrop. I remember getting misty-eyed in the theaters when I saw this film as a kid, and the message that it conveys holds true today. Definitely worth a watch.
So if you’ve ever perused this blog, you’ll by now be made aware of the fact that I am a massive fan of foreign films, be they good or bad. I’m fascinated by the similarities and differences of American versus Foreign, and how the blending of the various cultures can often create an overall appealing movie. People are generally the same from continent to continent; the same gripes, hopes, dreams, and setbacks. But the subtle cultural differences seem to pop creatively on film. My latest pick is a bad boy out of South Korea titled “A Better Tomorrow”, which is a 2010 remake of the original 1986 Hong Kong classic that featured shoot ’em up action titan Yun-Fat Chow. In short, the film centers around two brothers, separated at a young age, that end up re-connecting years down the road. One brother chose the police force and the other followed a life of crime, so we can predict the inevitable clashes that arise with that; in addition, we have the usual double crossing bad guy that you end up hating by the end of the movie. While I’m generally opposed to remakes and ‘re-imaginings’, this is a solid version of a true gem.
Below, the horribly dubbed original:
In honor of the upcoming re-release of legendary director Andrei Tarkovsky’s final film, The Sacrifice, here are a few short videos (and selected trailers) worth your time. Enjoy.
Below are The Sacrifice and Stalker trailers, and excerpts from interviews with Tarkovsky regarding perspectives on life, youth, and artistic spirituality.