Harakiri is a slice of 1962 Japanese cinematic brilliance; the story of an old ronin (masterless samurai) who falls on hard times. Samurai were the masters of their craft, skilled in fighting techniques as well as the arts; during times of peace though, the fighting skills that earned them a living were useless. They were laid off, unemployed, and cast out into a world possessing a talent that was no longer needed. We are confronted with a challenged world at the moment, and the skills that we may have earned and acquired over the years could potentially be outdated, useless, or unneeded. Like the main character’s clear headed approach to this predicament, it’s important in times such as these to keep a clear, level outlook, and to be thankful for what we have and are able to do. So in many ways, this film hits home, and the overall message translates somewhat well.
In the film, lack of employment is a major factor and the driving force behind the motives and actions of the main character. He is a widowed former warrior who is forced to construct umbrellas as a means of supporting his daughter, son in law, and grandson. He is essentially destitute as a result of repeated attempts to make ends meet; the skills that he obtained through years of training are no longer of use, as there is no need for for them in a time of relative peace. In today’s world, I see a few loose similarities between having a degree and having warrior skills during peacetime; unemployment is so strikingly severe and widespread these days, that a degree provides no guarantee of employment. It didn’t matter how adept a samurai was back then, and it generally doesn’t matter how educated a job seeker is now. In the enclosed film trailer, the main character states, “This thing we call samurai honor is ultimately nothing but a facade”; is the tradition of collecting a university certificate indicating that one has completed a series of courses also a thin facade? Again, a very loose correlation, but still food for thought! Nonetheless, Harakiri is a very weighty, masterfully directed and acted film, more than worthy of your time.
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Recognized as the first foreign samurai, Yasuke was an African slave that arrived in Japan in 1579 with Jesuit missionary Alessandro Valignano. As Valignano’s servant, he was present when Valignano visited the capital in 1581; contemporary accounts record the initial meeting with Lord Oda Nobunaga, who met the foreigner with fascination and intrigue, and was the first African that any had seen. “On the 23rd of the 2nd month [March 23, 1581], a black page (黒坊主 “kuro-bōzu”) came from the Christian countries. He looked about 26 or 27 years old; his entire body was black like that of an ox. The man was healthy and good-looking. Moreover, his strength was greater than that of 10 men.” It is said that Nobunaga had the man wipe his skin, thinking that the black may have been paint. Yasuke gained favor and entered the service of Lord Nobunaga, where he was elevated to the rank of samurai, and later fought alongside Nobunaga’s forces against the invading forces of Akechi Mitsuhide. After Nobunaga’s defeat, he was given back to the Jesuits, where he disappeared from record.
History is now – look him up!