Theatrical Thursday Presents, Should Have Won an Oscar -Tim Roth, for Rob Roy.
Hollywood screwed up on this one (as it usually does); Tim Roth was the MAN in 1996. Rob Roy was his diamond encrusted role of a lifetime (unless you consider his role as Ted the Bellhop in the hilarious 1995 comedy ‘Four Rooms’), and the guy was literally on point from start to finish. Don’t get me wrong, Liam Neeson did a stand up job as 18th century brigand Robert Roy MacGregor, but you literally end up hating Tim Roth by the end of the movie. I didn’t just hate Tim Roth’s villainously villainous villain Archibald Cunningham, I hated Tim Roth the actor. It was that effective. I hated him, and I hated his face. That’s how you know a guy has nailed the role to a wall. The calm, yet deceptively evil crooked grin, the ease at which he dispatched and outwitted his enemies, and the ruthlessness at which he exacted his hatred were incredibly and deliciously detestable. Which, in all honesty, makes you love the crap out of his performance. The awesomeness of his abilities didn’t go unnoticed by the powers that be, as he was nominated for an Oscar in 1996, but somehow lost to Kevin Spacey (who surprisingly won for his role as Verbal Kint in ‘The Usual Suspects‘). But let me tell you, the dude was robbed. I could go on and on, but watch this action and judge the coldheartedness for yourself.
Musical Monday, featuring Franz Schubert.
Impromptu in A Flat, Op. 142.
Theatrical Thursday – Glory (1989).
Period films are often challenging ordeals. Many factors come into play when transferring a fact based story to the big screen, from costumes, to historical accuracy, to the ever-present “will anyone pay to watch this” dilemma. The American Civil War stands among the pivotal moments in our nation’s history, so it stands as no surprise that there have been a plethora of flicks based on that time period made over the years, from the infamous Birth of a Nation in 1915, the legendary Gone with the Wind, and 2003’s Gods and Generals. It was 1989 when a powerful gem named Glory was released into theaters, chronicling the formation of the 54th Massachusetts Volunteer Infantry, an all black regiment mustered in 1863. Directed by Edward Zwick, the movie featured some serious star power in Denzel Washington, Matthew Broderick, Morgan Freeman, Andre Braugher, Cary Elwes, and a host of recognizable faces. Incorporating a triumphant score by James Horner, the film succeeds in painting a multi-layered picture of the trials and hurdles that had to be overcome by black and white troops in the Union Army following the Emancipation Proclamation passed into law by President Lincoln. The film carefully creates a vivid portrait of the main characters, with the simmering tensions of the war serving as a commanding backdrop. I remember getting misty-eyed in the theaters when I saw this film as a kid, and the message that it conveys holds true today. Definitely worth a watch.
Theatrical Thursday – Adolph Caesar in ‘A Soldier’s Story’ (1984).
In the vein of magnificent but severely under-recognized pictures that emerge from the bowels of Hollywood, here’s another iconic performance that was more than worthy of the industry’s top honor. A Soldier’s Story was based on a pulitzer prize winning play by Charles Fuller, about the investigation into the death of a black sergeant in the WWII era south. The film’s antagonist was Sergeant Waters, splendidly played by the late Adolph Caesar; he was in fact nominated for a best supporting actor Oscar for the role, but lost out to Haing S. Ngor (The Killing Fields). At any rate, his hauntingly conflicted role of the gruff, abrasive Sergeant Waters is indeed one for the record books, in one of cinema’s finest masterpieces.
Theatrical Thursday – Paths of Glory (1957).
Stanley Kubrick, a legendary filmmaker of great renown, has been at the helm of some of cinema’s most well-known and iconic pictures; who can forget Lolita (1962), Spartacus (1960), Dr. Strangelove (1964), 2001: A Space Odyssey (1968), A Clockwork Orange (1971), The Shining (1980), and Full Metal Jacket (1987)? His resume reads like a greatest hits list, the multitude of his work being critically acclaimed and pioneering in their own right. Quite possibly my all-time favorite Kubrick flick, though, is the utter masterwork that is Paths of Glory. Set in WWI, the film’s focus involves the trial of three men accused of cowardice in the face of the enemy after a failed assault on the enemy German positions. Kirk Douglas, a personal favorite, plays the role of French Colonel Dax, a visceral portrayal of a man tasked with defending the accused soldiers, who all face death by firing squad. His character faces the daunting task of proving the unwavering character of his men, while facing the impossible brutality that was WWI.
The film itself is wrought with a tension befitting the backdrop of one of the world’s most brutal conflicts, with themes of honor, duty, nationalistic pride, greed, betrayal, family, and idealism laced tightly within. The stark realism on display in the raw and gritty set pieces and the intricately placed details add to the brilliant performances of the actors. The grand scale of the set captured the sheer scope and intensity of the conflict, and the dramatic, solemn tension vividly captured the perilous plight of the condemned men. An outstanding achievement in film from a director and cast known for their remarkable performances.
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