Philip Glass – Movement II.
Stanley Kubrick, a legendary filmmaker of great renown, has been at the helm of some of cinema’s most well-known and iconic pictures; who can forget Lolita (1962), Spartacus (1960), Dr. Strangelove (1964), 2001: A Space Odyssey (1968), A Clockwork Orange (1971), The Shining (1980), and Full Metal Jacket (1987)? His resume reads like a greatest hits list, the multitude of his work being critically acclaimed and pioneering in their own right. Quite possibly my all-time favorite Kubrick flick, though, is the utter masterwork that is Paths of Glory. Set in WWI, the film’s focus involves the trial of three men accused of cowardice in the face of the enemy after a failed assault on the enemy German positions. Kirk Douglas, a personal favorite, plays the role of French Colonel Dax, a visceral portrayal of a man tasked with defending the accused soldiers, who all face death by firing squad. His character faces the daunting task of proving the unwavering character of his men, while facing the impossible brutality that was WWI.
The film itself is wrought with a tension befitting the backdrop of one of the world’s most brutal conflicts, with themes of honor, duty, nationalistic pride, greed, betrayal, family, and idealism laced tightly within. The stark realism on display in the raw and gritty set pieces and the intricately placed details add to the brilliant performances of the actors. The grand scale of the set captured the sheer scope and intensity of the conflict, and the dramatic, solemn tension vividly captured the perilous plight of the condemned men. An outstanding achievement in film from a director and cast known for their remarkable performances.
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You touch upon me like a whisper
to willing lips, and weave a melody heard
between us only-
you must know that the skies are bluer
when your arms are wrapped around
and that when you look at me,
the mountains kiss the sky,
and the sea glitters like a bed of liquid
I see the sun through your eyes,
and through that lens the world is
a masterpiece that forces me to
shake my head in disbelief-
I can only close my eyes under the
weight of it,
and when I do, you always seem