In my humble opinion, it’s no secret that American movies are becoming as stale as a bag of corn chips left open for 6 months straight. American cinema has unfortunately become swollen with remakes, sequels, reboots, re-imaginings, re-tellings, and re-whatever else you can think of that are as exciting as a tall glass of flat coke. It’s disturbingly sad that we are being thoroughly and soundly outflanked by the increasingly entertaining ranks of foreign films; the shocking number of American flicks that originated overseas is staggering (The Girl with the Dragon Tattoo, pretty much every Asian horror film ever made, etc). Hollywood is apparently more concerned with quantity as opposed to quality; they pump out more PG-13 schlock than nickelodeon in an attempt to put butts into seats and fill their Hollywood coffers. So to make a long story short (too late), I’ve primarily concerned myself with foreign fare of late. I’ve always had a preference for old films and foreign films anyway, because in my opinion, they were more focused on storytelling, plot, and serious acting chops. Modern American films are slowly bulldozing me over the cinematic edge. Case in point; I recently watched a film called Mesrine: Killer Instinct, a 2008 film about notorious French gangster Jacques Mesrine. Mesrine was one mean mother, and Vincent Cassel played the part of vicious lunatic with delicious style and machismo. Mesrine was legendarily bold, as he made short work of banks (robbing one bank, and then crossing the street to rob another immediately after), eluded the authorities for years, escaped from prison multiple times, and claimed around 40 murders. Part two, Mesrine: Public Enemy #1 was made the same year, and chronicled his later exploits. The films were visually vivid and gritty, with a fearless flair that made the onscreen action that much more grimy and realistic. Mesrine only grew more bloodthirsty and criminally ambitious as the years passed, and director and actor alike were masterfully on point. Veer away from the blandness and predictability of current cinema and immerse yourself head first in some fresh foreign fare.